Tuesday, July 8, 2008

Tagore – "Music is the purest form of art"


Reproduced from: Sadhana, the Realisation of Life,
by Rabindranath Tagore
1st edition. 1913, reprinted 1964

Music is the purest form of art, and therefore the most direct expression of beauty, with a form and spirit which is one, and simple, and least encumbered with anything extraneous. We seem to feel that the manifestation of the infinite in the finite forms of creation is music itself, silent and visible. The evening sky, tirelessly repeating the starry constellations, seems like a child struck with wonder at the mystery of its own first utterance, lisping the same word over and over again, and listening to it in unceasing joy.

When in the rainy night of July the darkness is thick upon the meadows and the pattering rain draws veil upon veil over the stillness of the slumbering earth, this monotony of the rain patter seems to be the darkness of sound itself. The gloom of the dim and the dense line of trees, the thorny bushes scattered in the bare heath like floating heads of swimmers with bedraggled hair, the smell of the damp grass and the wet earth, the spire of the temple rising above the undefined mass of blackness grouped around the village huts – everything seems like notes rising from the heart of the night, mingling and losing themselves in the one sound of ceaseless rain filling the sky.

Therefore the true poets, they who are seers, seek to express the universe in terms of music.

They rarely use symbols of painting to express the unfolding of forms, the mingling of endless lines and colours that goes on every moment on the canvas of the blue sky. They have their reasons. For the man who paints must have canvas, brush and colour-box. The first touch of his brush is very far from the complete idea. And, then when the work is finished and the artist is gone, the widowed picture stands alone, the incessant touches of love of the creative hand are withdrawn.

But, the singer has everything within him. The notes come out from his very life. They are not materials gathered from outside. His idea and his expression are brother and sister; very often they are born as twins. In music the heart reveals itself immediately; it suffers not from any barrier of alien material. Therefore, though music has to wait for its completeness like any other art, yet at every step it gives out beauty to of the whole. As the material of expression, even words are barriers, for their meaning has to be construed or thought. But, music never has to depend upon any obvious meaning; it expresses what no words can reveal.

What is more, music and the musician are inseparable. When the singer departs, his singing dies with him; it is in eternal union with the life and joy of the master. This world-song is never separated from its singer. It is not fashioned from any outward material. It is his joy itself taking never-ending form. It is the great heart sending the tremor of its thrill over the sky. There is perfection in each individual strain of this music, which is the revelation of completion in the incomplete. No one of its notes is final, yet each reflects the infinite.

What does it matter if we fail to derive the exact meaning of this great harmony? Is it not like the hand meeting the string and drawing out at once all its tones at the touch? It is the language of beauty, the caress, that comes from the heart of the world, and straightaway reaches our heart.

Last night, in the silence which pervaded the darkness, I stood alone and heard the voice of the singer of the eternal melodies. When I went to sleep, I closed my eyes with this last thought in my mind, that even when I remain unconscious in slumber the dance of life will still go on in the hushed arena of my sleeping body, keeping step with the stars. The heart will throb, the blood will leap in the veins, and the millions of living atoms of my body will vibrate in tune with the note of the harp-string that thrills at the touch of the master.

© Macmillan and Co. Ltd., London. 1964

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